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For a variety of years now, to get your site identified by the search engines, and ranked for specific keywords and phrases in the look for engine benefits, on the web marketers have had to optimize their websites for Search engine marketing (Search Engine Optimization) to achieve these outcomes. This is nevertheless quite accurate, but the Search engine optimization sport is once and for all changing, and new approaches, strategies and methods are often becoming put in place to hold up with the consistent adjust. Google becoming the principal look for engine, is the a single we all like to tackle, as it gets the most site visitors. To receive visitors from Google, we need to have to seem in the search engine final results for key phrases connected to our organization or enterprise, so Search engine marketing providers are necessary, to support us achieve the results we want. The main problem is, we are not all Search engine optimisation experts, how can we optimize our websites for Search engine optimisation when we do not understand it ourselves? Or maybe you do recognize it, but you don?t have the time to enhance your internet site, what can you do to solve this issue?

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How several times have you searched for a thing in Google and a video exhibits up in the results? It transpires all the time, yet for a whole lot of offline business? it appears they are not really getting edge of this to publicize by themselves. This leaves a massive gap in marketing for individuals to use a Video Advertising Support to increase their rankings, and get this gap in the marketplace by the horns. Let us deal with it, we are not all the very best at making video clips, nor are we the very best at marketing anything online, when it comes to your organization getting it is identify out there, it is often a good choice to let the specialists consider in excess of and do the task successfully for you. Online video Advertising can be quite strong, and it?s crucial that you use it correctly, otherwise you might not get the entire advantage from it.

1 Video Advertising and marketing company that provides equally video clip creation and video submission for business? is WL Marketing and advertising. WL Marketing have been aiding business? in their Seo requirements since 2008, and really know the globe of on the internet marketing like the back of their hand. To use Movie Advertising professionally and properly, go to the WL Marketing internet site these days, and get your internet site even more up the rankings.

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To understand much more about the relevance of Video clip Marketing, you should check out the next URL: http://www.wlmarketing.com/video-advertising and marketing-service.html

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Phelps back on top, beats Lochte in 200 IM

United States' Michael Phelps leads compatriot Ryan Lochte in the men's 200-meter individual medley swimming final at the Aquatics Centre in the Olympic Park during the 2012 Summer Olympics in London, Thursday, Aug. 2, 2012. (AP Photo/Daniel Ochoa De Olza)

United States' Michael Phelps leads compatriot Ryan Lochte in the men's 200-meter individual medley swimming final at the Aquatics Centre in the Olympic Park during the 2012 Summer Olympics in London, Thursday, Aug. 2, 2012. (AP Photo/Daniel Ochoa De Olza)

United States' Michael Phelps waves after his gold medal win in the men's 200-meter individual medley swimming final at the Aquatics Centre in the Olympic Park during the 2012 Summer Olympics in London, Thursday, Aug. 2, 2012. (AP Photo/Daniel Ochoa De Olza)

United States' Michael Phelps is seen on a giant display as he listens to the national anthem after receiving his gold medal for the men's 200-meter individual medley swimming final at the Aquatics Centre in the Olympic Park during the 2012 Summer Olympics in London, Thursday, Aug. 2, 2012. (AP Photo/Lee Jin-man)

United States' Ryan Lochte waves as he stands on the podium for his silver medal in the men's 200-meter individual medley swimming final as teammate Michael Phelps looks on at the Aquatics Centre in the Olympic Park during the 2012 Summer Olympics in London, Thursday, Aug. 2, 2012. (AP Photo/Matt Slocum)

From left, Japan's Ryosuke Irie, United States' Tyler Clary and United States' Ryan Lochte pose with their medals for the men's 200-meter backstroke swimming final at the Aquatics Centre in the Olympic Park during the 2012 Summer Olympics in London, Thursday, Aug. 2, 2012. Clary won gold, Irie silver and Lochte bronze. (AP Photo/Michael Sohn)

LONDON (AP) ? Michael Phelps spent the day thinking about all the things he's doing for the final time at the pool. It turns out that included one last win over Ryan Lochte.

Phelps finally got a gold all his own at his final Olympics.

Adding to an already unprecedented medal collection, he claimed his first individual victory of the London Games and handed Lochte a double disappointment on his rival's final night in the pool Thursday.

Phelps set the tone right from the start with a dominating butterfly leg to become the first male swimmer to win the same individual event at three straight Olympics in the 200-meter individual medley. He claimed his 20th career medal ? and 16th gold ? in 1 minute, 54.27 seconds, just off his winning time in Beijing but still good enough for gold, ahead of Lochte.

When it was done, there wasn't that water-pounding celebration we've seen so many times from Phelps ? just a slight smile as he hung on the lane rope, gazing up at the stands and soaking it all in.

"Going into every call room, I said it's my last semifinal or my last prelim," Phelps said, reflecting on a busy day that included a morning swim, then two more races in the evening. "We're kind of chalking up all the lasts of certain things."

As he powered to the wall, his mom Debbie screamed, "Go! Go! Go!" When Phelps touched first, she dropped her head, kissed her two daughters ? both former swimmers ? and let the tears flow.

When Phelps stepped on the medal podium ? yep, that familiar top rung ? his eyes were glassy and he whispered a joke to Lochte, trying to keep the moment light. Then, staring up at the U.S. flag while the national anthem played, Phelps bit his lip and seemed to be struggling to hold back his own tears.

"Once it's all over, it's going to really hit me emotionally," he said. "I know for my mom it's very emotional. I'm the last Phelps to come through. She's watched my sisters go through the sport and retire."

Phelps has never been too revealing with his emotions away from the pool.

But, with just two days to go in his swimming career, there's a definite chink in the facade.

He's starting to look as human out of the water as he seems superhuman in it.

"To be able to win the gold medal and be the first to threepeat, it means something," said Phelps, whose first gold in London was swimming the anchor on the 4x200 freestyle relay. "It's pretty special and something that I'm very happy for."

So a farewell games that started as a bit of a disappointment is definitely looking up. He's now won two golds and two silvers in five races ? not the eight golds in China, but a more-than-fitting capper to a brilliant career that still has two more races to go: the 100 butterfly Friday and the 4x100 medley relay Saturday.

Lochte settled for silver in 1:54.90, having split with Phelps in their two head-to-head races in London. Hungary's Laszlo Cseh took the bronze, well behind the Americans in 1:56.22.

"Ryan and I have had a lot of great races," Phelps said. "He has brought the best out of me many times."

Ever the competitor, Phelps had hoped to go even faster, looking to not just win gold but take down Lochte's world record of 1:54.00 from last year's world championships.

"I wanted to push the first 100 as much as I could just to kind of see what would happen," Phelps said. "Somebody told me with like 25 to go I was under world-record pace, so it was kind of frustrating I fell a little short."

When Phelps was done with Lochte, he hopped out of the pool and dashed to the nearby diving well to warm down, preparing for a semifinal of the 100 fly. He was the top qualifier in that one at 50.86 ? more than a half-second ahead of South African Chad le Clos, who upset Phelps in the 200 fly, and setting up an additional rematch with Milorad Cavic, the outspoken Serbian who still seems to think he got to the wall first when he lost to Phelps by a hundredth of a second four years ago.

Cavic is talking a different game now.

He doesn't think he ? or anyone else ? has a chance against Phelps in the last individual race of his Olympic career.

"Phelps is out of our league," Cavic said. "It's not fair that I'm talking for everybody, but I'm expecting something special tomorrow. I think he's going to go 50.5."

Lochte went through the same warm-down routine in the diving pool as Phelps, trying to pull off an impressive double 31 minutes apart. He came up short in both races, fading to bronze in the 200 backstroke behind fellow American Tyler Clary, then touching after Phelps in the medley.

"I wanted to get all golds in my events, but you know it didn't happen," Lochte said. "I'm going to have to live with that and move on and learn from it. Try not to make the same mistakes in the next four years.

"For the most part," he insisted, "I'm pretty satisfied."

Lochte, who intends to keep swimming through Rio in 2016, shook hands with his rival before crawling out of the pool for the last time at these games. In a symbolic gesture, he tossed his cap and goggles into the crowd, his work done. His final tally: two golds, two silvers, one bronze and a fourth-place finish ? impressive, but undoubtedly shy of what he had predicted would be "my time."

This time still belongs the Phelps.

At least for a couple more days.

Rebecca Soni made quite a splash, too, on a night dominated by the Phelps-Lochte showdown.

Tearing through the water in her favorite pink suit, Soni set her second world record in as many days to defend her Olympic title in the 200 breaststroke. She finished in 2:19.59, breaking her own mark of 2:20.00 set in the semifinals.

Soni broke into a big smile when she saw the time, racing the clock more than she was anyone in the water. Japan's Satomi Suzuki took silver, more than a second behind at 2:20.72, while Russia's Yulia Efimova claimed bronze in 2:20.92.

"I'm so happy," Soni said. "I can't believe I did it."

Ranomi Kromowidjojo carried on the Dutch tradition of producing top sprinters and prevented a red, white and blue sweep of the night, taking the 100 freestyle in an Olympic-record 53.00. Aliaksandra Herasimenia of Belarus claimed the silver in 53.38, while the bronze went to China's Tang Yi in 53.44.

American teenager Missy Franklin got off to a terrible start ? she was last at the turn ? and couldn't rally. She finished fifth, two-tenths off the podium. The other U.S. swimmer, Jessica Hardy, finished last in the eight-woman field.

"I'm really unsatisfied about the time, but a gold medal is a gold medal," Kromowidjojo said. "I'm really happy with the gold medal."

In Soni's victory, South Africa's Suzaan van Biljon led at the first turn, but the American quickly seized control on the second lap. She was comfortably ahead by the second turn, then turned on the speed.

"It's been my goal since I was a little kid to go under 2:20," Soni said. "That's when my coach told me you're going to be the first woman to go under 2:19. I've been chasing it ever since. I'm just so happy."

While Lochte couldn't hold on in the backstroke, it was still quite a night for the Americans. Clary rallied on the final lap to pull off the upset in an Olympic-record 1:53.41. Japan's Ryosuke Irie also got by Lochte on the final stroke, taking silver in 1:53.78. Lochte's time was 1:53.94.

"You always have big dreams in your head that you think you might be able to pull off something like that," Clary said. "The fact that it just came to fruition is something that hasn't even processed in my mind yet. The fact that I'm now an Olympic champion and Olympic-record holder is something that is very humbling. It's also very motivating for the next four years."

Last year, Lochte looked as though he had surpassed Phelps at the top of the swimming world when he captured five gold medals at the world championships. The Floridian didn't come close to that total at the Olympics, also failing to defend his Olympic title in the 200 back.

Lochte won his first race of the Olympics with a dominating performance in the 400 IM on the opening night of swimming, but that was his biggest highlight. He faded badly in the anchor leg of the 4x100 freestyle relay, leaving the Americans with a silver, and he finished off the podium in the 200 free.

He did join Phelps in picking up a relay gold in the 4x200 free relay, but never really caught up with him when they competed one-on-one.

Nobody did.

"We've been racing for eight years now and the rivalry we created has been tremendous for the sport and our friendship," Lochte said. "I'm going to miss him."

___

Follow Paul Newberry on Twitter at www.twitter.com/pnewberry1963

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/cae69a7523db45408eeb2b3a98c0c9c5/Article_2012-08-02-OLY-SWM-Swimming/id-5011e70d46b24c26ab1709ccfce636e2

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Opera about Iraq War reaches out to veterans

By Gael Fashingbauer Cooper, NBC News

explore.org

The Vancouver City Opera staged a workshop of "Fallujah," the first opera about the Iraq War, but the production still needs to find a theater home.

Can the stirring sounds of?opera reach out to a young generation of veterans dealing with the pain of post-traumatic stress disorder??That's what Marine and Iraq War vet Christian Ellis?and Iraqi American playwright Heather Raffo are hoping.

Along with composer Tobin Stokes, Ellis and Raffo worked to set Ellis' wartime experiences to music, creating "Fallujah," the first-ever opera written about the Iraq War.

But it?wasn't easy for?Raffo and Ellis?to come together to work on?the project. Ellis?said that while it's hard for him to admit he held prejudice against those of Iraqi descent,?those feelings were?there.

"It took a lot for me to actually go meet (Raffo), and I'm glad I did," he told NBC News.

And Raffo, whose earlier one-woman play, "9 Parts of Desire" focuses on Iraqi women, had her own worries.?After a lifetime of hearing stories from her father's family in Baghdad, she says she wasn't sure she was ready to "fully take on (the U.S. military's) story and to let it live in me as humanly as the Iraqi side."

That all changed within minutes of their meeting. "The moment I walked into (Raffo's) apartment?... she gave me a hug and?(our connection)?was like -- instant," Ellis said.

Raffo agrees. "I might have been most moved and surprised by the level of clarity, honesty, and ulimately vulnerability with which he spoke," she says. "I mean, Marines are really strong people, but I noticed how emotionally strong and fragile Christian is. He was an absolute open book."

He had some heavy stories to share. A former machine gunner,?Ellis was in one of the first units to invade Fallujah in 2004, fighting in two of the bloodiest battles U.S. forces saw there. He's open about the four suicide attempts he made after his return home, and about the 33 friends he lost, some to battle, some to suicide. He's marked himself with intricate arm and chest tattoos that carry 33 drops of red to remember those friends, an idea inspired by the red "blood stripe" Marines wear on the trousers of their dress blues.

Ellis had?created a?written story outlining some of his experiences in Iraq, and with Raffo's help, the two set about turning that into an opera. "Fallujah" begins with a Marine named Phillip in the suicide ward of a VA hospital, trying to decide if he will allow his mother in to see him.

When the two met, Raffo had just given birth to her second child, so motherly emotions were flowing freely on many levels.

Chad Galloway / Opus 59 Films

Christian Ellis, a Marine veteran of the Iraq War, and Heather Raffo, an Iraqi American playwright, collaborated on "Fallujah," but both admit they had prejudices before meeting.

"Pairing these kind of in-depth conversations with mother-son relationships while I had just given birth to a son was really part of our bonding and coming together," she said. "We were really relating as a mother with a young man."

A duet between two grieving mothers, one American, one Iraqi, is a central part of the production. Ellis is quick to point out that?Phillip's mother in the opera is not based on his own mother, and mom Michelle Ellis says she understands.

"He told me, 'Mom, it's not you, it's a character that I've created'," Michelle Ellis said. "He has created a story, and I think that the power of it is real."

Michelle Ellis remembers her son's fascination with operatic music going way back, noting with a laugh that he would sing the famous "Figaro, Figaro" section of "The Marriage of Figaro" opera in the shower.

"He loved music ever since he was such a little kid," she said. ?"He's got a real big heart, and I'm hoping that will come out in the opera."

explore.org

"Fallujah" flashes between a suicidal Marine's struggles in the present day, and his flashbacks to his experiences during the war.

From all accounts, it has. The opera doesn't shy away from the brutality of battle, flashing back between Phillip's present-day struggle and what Raffo calls "daymares," flashbacks to the war. In one scene, Phillip watches his best friend die, and another involves a horrible event involving a young Iraqi boy he's befriended. Both events are drawn from Ellis' own war experiences.

Ellis himself is still living with the traumas he experienced in the war. His transition home was difficult, and it took some time before a friend who worked with veterans helped him realize he was suffering from PTSD. Even now, suicidal thoughts still come and go. And he's struggling to find work in a world that he notes seems unfriendly to all unemployed people, but especially to veterans. He's sent out 200 resumes and received only two calls about work.

"It's hard to put on a?resume, I've been a machine gunner, I've been an instructor, I've been a leader," he says. "I know how to manage people, but I really don't have the retail experience you seem to require."

City Opera Vancouver developed "Fallujah" with funds from Explore.org,?which is part?of the Annenberg Foundation. It's the rare opera that has almost the equivalent of a movie trailer --?clips from a May final workshop?are available to watch online.

Artistic director Charles Barber said despite its military theme, the opera is accessible to all. "I've never been?on a battlefield in my life," Barber said. "You don't have to have been there with an AK-47 to know what it means."

Composer Tobin Stokes worked to make each character's musical language fit his background and generation, even incorporating the sounds of an oud, a traditional Middle Eastern?stringed instrument.

"We have something here that tells a story, yes, but it digs deeper and touches the heart of the problems war leaves behind, and I know it can start dialogues and healing," Stokes said.?"I've seen it happening already."

But the opera has yet to find a company and theater willing to produce it. Raffo and Ellis would like to see "Fallujah" land in Washington, D.C., perhaps at the Kennedy Center.

Such a location, Raffo notes, would allow the opera to be seen?by employees of the State Department, Pentagon and?Iraqi Embassy, as well as regular members of the military and civilians.

"That makes for a conversation, and that is exactly what we want to happen," Raffo said.

Have you seen the returning vets in your life struggle to adjust to life after their wartime experiences? Tell us on Facebook.

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Source: http://entertainment.nbcnews.com/_news/2012/08/01/12971324-first-opera-about-iraq-war-reaches-out-to-veterans-suffering-from-ptsd?lite

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Get Cut Fast Using These Awesome Body Building Ideas ?

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Savoring a proteins shake about thirty minutes prior to excess weight lifting is a superb thought. This way, you will be able to supply your muscles with necessary strength to the intensive workout, but not make oneself feel as well total. A shake that is made with protein powder and low fat whole milk or natural yogurt would work efficiently.

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Source: http://all-articles-directory.com/get-cut-fast-using-these-awesome-body-building-ideas/

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About Face: Former climate change skeptic now says global-warming is man-made

Richard Muller and his daughter Elizabeth Muller in 2011. (Paul Sakuma/AP)

Richard A. Muller, a ?physics professor at the University of California-Berkeley, announced over the weekend that his much-publicized investigation into climate data has found that humans' production of carbon dioxide is causing the world is slowly warm up, a process that could speed up dramatically in the next few years.

That's what climate scientists have been saying for years, but Muller's conclusions attract special attention because of his vocal self-styling as a converted climate change skeptic. Muller criticized global warming studies for sloppy and self-serving data selection and a lack of transparency that obscured errors; he then lambasted fellow scientists for circling the wagons and calling any climate change deniers wrong. Muller says he's still upset that the American Physical Society declared the evidence for warming "incontrovertible" a few years ago in an official statement.

"We don't do things in science that are incontrovertible," Muller said in an interview with Yahoo News.

He embarked on his own investigation into the data with his daughter Elizabeth and a team of scientists three years ago. His?Berkeley Earth Surface Temperature project?attracted funding from the Charles Koch Charitable Foundation, the non-profit outfit of a wealthy businessman who denies that global warming is happening. Three years later, Muller ended up surprising himself when his research confirmed everything those same studies that drew his skepticism concluded, and then some. Muller says his study's results are more reliable than many previous ones because he intentionally avoided the data pitfalls he objected to, such as only using a portion of the global temperatures available. (He expounds on his methods here.)

Muller's study has not yet been published in a peer-reviewed scientific journal, but he says he plans to publish at some point. One climate scientist, Benjamin D. Santer, told the LA Times he thinks posting the study online and not in a journal is in "the spirit of publicity, not the spirit of science" that may do more to hurt the global warming cause than help. But Muller says he wants to get feedback on his methods and to share his results with everyone, avoiding what he sees as a secrecy and lack of transparency that surrounded earlier climate change studies.

Though Muller is now entirely convinced that the earth is warming due to man-made causes, he still expresses disdain for people who try to raise passions around the issue by pointing to local weather events, such as the drought scorching up America's Midwest right now, as proof of the phenomenon. (He attributes the drought to La Ni?a, a temporary cooling of the ocean.) Global warming's effect on local weather patterns is unknown, and even as two-thirds of the world has warmed up, another one-third has shown a gradual cooling over the past 250 years. The overall effect is a troubling global warming, but Muller has no patience for simplifications that stray from the truth.

"I'm personally very worried," he says of global warming. Muller says so far the warming has been "tiny," but that everything points to the process speeding up. "I personally suspect that it will bad."

Muller is now wading into another controversy, by endorsing the process of natural gas extraction called fracking for developing countries, which tend to rely more on coal. Coal production produces more carbon dioxide, but fracking has also drawn its share of environmentalist critics.

"I?believe the only kind of action that is sustainable is that which is profitable and fortunately we can do that, we can become much more energy efficient," he says.

Source: http://news.yahoo.com/blogs/lookout/former-climate-change-skeptic-now-says-global-warming-134617449.html

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Philly library features Colbert with Joyce, Sendak

PHILADELPHIA (AP) ? Talk show host Stephen Colbert's foray into children's books has landed him alongside some exalted literary company.

A playful new exhibit at the Rosenbach Museum & Library pairs priceless material by James Joyce and Maurice Sendak with, um, perhaps less valuable items used by Colbert to write "I Am A Pole (And So Can You!)."

Colbert's pens, beer bottles and lunch remnants are certainly not the usual fare for the Rosenbach, the Philadelphia institution that houses the only complete manuscript of Joyce's "Ulysses."

But museum officials say the display reinforces their mission to engage and inspire visitors with collections that include papers from Lewis Carroll, Bram Stoker and Miguel de Cervantes.

"If I can do that by having Stephen Colbert make a joke about 'Ulysses,' why not?" said Rosenbach director Derick Dreher.

The story began in January after Colbert, host of the satirical "Colbert Report" on Comedy Central, aired an interview with Sendak, best known as the author and illustrator of the children's book "Where the Wild Things Are."

Colbert brought along a draft of his own story about a metal pole searching for its identity. Should it be a totem pole? Ski pole? Pole vault? The epic journey ends with ? spoiler alert! ? the main character becoming a flag pole.

"The sad thing is, I like it," Sendak said with a laugh after hearing an excerpt.

That blurb is now featured on the book's cover. Sendak, however, died in May ? coincidentally, on the same day "I Am A Pole" was published.

Sometime after the interview, Dreher said, a producer for Colbert visited the Rosenbach, which is also the repository for more than 10,000 pieces of Sendak's work. A serendipitous encounter with a curator led to the idea for "Maurice Sendak and Stephen Colbert: Interviews, Objects ... and Poles!"

The exhibit, on view through Nov. 11, includes Colbert book drafts, sketches by illustrator Paul Hildebrand, two Bud Light Lime bottles, a crumpled paper bag, a turkey sandwich receipt and a rhyming dictionary.

It also contains drawings of poles made by Colbert and Sendak during their interview, as well as illustrated poles from Rosenbach copies of "Moby Dick" and "Don Quixote." And, of course, part of the "Ulysses" manuscript is featured.

While noting Joyce probably would not be happy to see his acclaimed novel in the company of "I Am A Pole," Dreher made some tongue-in-cheek observations of similarities between the two books: Both are odysseys of self-discovery, and each makes references to shaving.

Colbert could not be reached for comment for this story. But he highlighted his new connection to "Ulysses" in a July segment called "Who's Honoring Me Now."

"So congratulations, America, because now my manuscript ... is officially enshrined in its rightful place, side-by-side with the former greatest book of all time," Colbert quipped.

The next day, Dreher said, Colbert devotees descended on the Rosenbach, which is located in a pair of brick townhouses in the Rittenhouse Square neighborhood.

"It's been great fun for us," Dreher said. "Colbert has such rabid fans, and I mean that as a compliment."

___

Online:

http://www.rosenbach.org/

___

Follow Kathy Matheson at www.twitter.com/kmatheson

Source: http://news.yahoo.com/philly-library-features-colbert-joyce-sendak-063557541.html

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Saudi judoka gets go-ahead after hijab dispute

Saudi Arabia judoka Wojdan Shaherkani was given the go-ahead Tuesday to fight at the Olympics after a row over the wearing of a hijab was resolved, the International Olympic Committee told AFP.

The Saudis had threatened to pull the fighter out of the Games if she was forced to compete with her head uncovered.

However, a compromise had been found.

"We can confirm the International Judo Federation (IJF) and the Saudi National Olympic Committee, under the auspices of the IOC, have reached an agreement whereby the athlete can compete," said a spokeswoman.

"The judo federation will allow her to wear something on her head which will not compromise her safety and which I think they use for competitions in Asia. It is a solution that is acceptable to all parties."

The 18-year-old heavyweight, part of a two-woman team sent from the conservative kingdom to an Olympics for the first time, was last week ordered by IJF president Marius Vizer to step onto the mat with her head uncovered.

Judo applies strict safety rules and any covering on the head is deemed to present a risk to the fighter's health.

Saudi Arabia only agreed to send a women's team to London on condition that their two athletes respect a strict dress code.

Having earlier refused to comment on the IOC's statement, the IJF later confirmed that they would allow the fighter to take part wearing a different head covering, although they refused to stipulate what exactly that would be.

"The International Judo Federation (IJF) and the Saudi Arabian Olympic Committee are pleased to announce that they've agreed on a solution to ensure the participation of female judo athlete Wojdan Ali Seraj Abdulrahim Shaherkani at the Olympic Games," said the statement.

"Working with the IOC a proposal was approved by all parties. The solution agreed guarantees a good balance between safety and cultural considerations."

American-raised 800m runner Sarah Attar is the second woman in the Saudi squad in London.

She has spent little time in the Islamic kingdom and grew up mostly in California, where she took up cross country running.

Attar appears without a headscarf in her official London 2012 photo.

For Shaherkani, who makes her bow on Friday, her participation is also contentious on other safety grounds as she has only been involved in the sport for two years and is not even a black belt.

That means she very likely is nowhere near the level of the international fighters she will be coming up against.

She will fight Puerto Rico's Melissa Mojica, ranked 13 in the world, in the first round.

Source: http://news.yahoo.com/saudi-judoka-gets-ahead-hijab-dispute-113111792--oly.html

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